BETAFor channels that publish the same show every week

Record the episode. Get the edit,
cut like your editor would.

CutSmith learns the format you already publish — what you cut, what has to stay whole, where your overlays sit, what ships with every episode — then edits each new recording to match, and gets closer every time.

drag the divider · same recording, same minute
“the strings come in exactly when the second verse drops — that’s on purpose”
BENCH EDIT · 9:48
RAW · 12:31
“okay wait — where do I start it? you should say the thing about the strings…”
RAW
BENCH
kept talkthe song, wholesetup, retakes, chatter — cut

A 12-minute recording hides a 10-minute video.

Finding it means cutting “okay, where do I start?” and “wait, I messed that up” without cutting the good take. Keeping the part that has to run whole — the song, the clip, the demo — in sync even when you pressed play late. Bringing your overlay up when the talking stops, not before. Adding cards that never cover a face. Making a thumbnail, a title and a Short.

Then doing it all again next week, to the same shape.

WHO IT’S FOR

If every episode has the same shape, the shape can be learned.

CutSmith doesn’t know your subject. It knows your format: which beats you keep, what has to run whole and in sync, where your overlays sit, and the set of files you publish with every episode. That is what repeats — and repetition is the whole of what it learns from.

Every worked example on this page comes from our own show, music reactions. That is the format CutSmith was built on and the one running today, not the edge of what it is for.

RUNNING TODAY
  • Music reactions — the show we make ourselves
BUILT FOR · NOT YET PROVEN
  • Interviews and podcast episodes
  • Reviews and unboxings
  • Tutorials and walkthroughs
  • Recaps and roundups
  • Gameplay commentary

What they have in common: a recording of people talking, often a second source that has to stay whole and in sync, and a set of outputs that doesn’t change from one episode to the next.

Tell us your format when you ask for access and we’ll say plainly whether it fits yet.

HOW IT WORKS

Two files in. A finished episode out.

  1. 01

    Upload the recording

    Your recording, and whatever played alongside it — a song, a clip, a screen capture. Nothing to install.

  2. 02

    It lines the two up

    Even when the second file was only audible in your headphones: it hears the leak and matches the moment you pressed play.

  3. 03

    It builds the edit to your format

    Setup, planning and retakes cut. The part that must run whole kept whole. Overlays, cards and zooms where your format puts them.

  4. 04

    You review beside the script

    Strike or restore lines, leave a note at the second, pick a title and thumbnail. Re-draft in one click.

  5. 05

    Download, publish, it learns

    Video, thumbnail, titles, a Short, and a timeline for your editor. Each episode starts closer to your cut.

WHAT BENCH DOES IN AN EPISODE

Every job your editor does after the record button.

Hover a job to see where it lands in the frame.

4 cuts on this minute · each starts on the first word
IT LEARNS YOUR CHANNEL

Strike a line once. It stops keeping lines like it.

Review the draft beside its script. Strike a line to cut it, restore one to keep it, leave a note at the exact second. Your marks always win, and each one becomes a rule for the next episode.

A change to your format is only kept if it makes your past episodes better too, not just one. Progress is counted, not promised: notes per round, repeats, and how closely each draft matches the edit you published.

SCRIPT · DRAFT 22 struck
New rule: cut planning and coaching before the song starts.Re-draft
CHECKED BEFORE YOU WATCH

Your notes go to taste, not to glitches.

Every draft is scanned before anyone watches it. Each check reports a time, or “clean”. Plus a one-page storyboard of every edit decision with its written reason.

Black or frozen frames
clean
Frame timing gaps
clean
Audio dropouts
clean
Cards covering a face
1 moved · 3:44
Text too short to read
clean
Song kept whole
✓ 3:12–6:41
Loudness
−14.0 LUFS
THUMBNAIL, TITLE AND SHORTS

Everything the upload page asks for.

Thumbnail in your layout

The frame whose expression matches the moment, laid out the way your channel lays them out — the same arrangement on every episode.

Titles in your voice

Learned from your best-performing titles. Never claims something you did not say.

Shorts from the big moments

Vertical clips reframed to follow whoever is talking. Connect YouTube and it learns what gets clicked.

FAQ

Questions we get asked.

Record this week’s episode. Review the edit tomorrow.

Nothing to install. Two files in, a draft beside its script back.

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